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I think I liked "The Woman of the Snow" the best. "Help me! Help me!"įour "ghost stories." Very atmospheric, and some very arresting visuals, though a little slow-moving. I liked the '86 one better, but the original definitely has its merits too. Short films of Georges Méliès: Une nuit terrible (1896), Le château hanté (1897), L'auberge ensorcelée (1897), Le diable au couvent (1899), Le monstre (1903), Le chaudron infernal (1903), Les quatre cents farces du diable (1906)įull of clever (if repetitive) special effects, comedic pratfalls, and melodramatic acting, but also lots of devils and skeletons and giant bugs, oh my! It's no Halloween or The Thing, but still a solid (ha ha) entry in the Carpenter oeuvre. But how can you go wrong with songs like "What the f*ck was that?" and "All the Men in My Life Keep Getting Killed by Kandarian Demons"? I wasn't thrilled with the ending, but otherwise I thought this was good, despite (because of?) how uncomfortable some of the scenes made me.Ĭounting this as a wild card since it's a recording of a stage performance rather than an actual movie. One of the few horror movies my roommate will watch with me, thanks to the presence of one Nathan Fillion. The Little Girl Who Lives Down the Lane (1976)
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This version of the film is much subtler and more ambiguous than the 1999 remake, and is the better film for it. The opening paragraph to the Shirley Jackson novel on which this is based has one of my favorite opening paragraphs of all time. Fun fact: At 16, director Tod Browning ran away from home to join the circus in one of his acts, he played a "living corpse" and was buried alive for up to 2 days at a time.
#Defrost the ice cubes in scooby doo spooky swamp movie#
This movie features a great anti-hero in Lon Chaney's Alonzo the Armless. A decent sequel, even if it does rewrite some of the things established in the first two. Shelley." Other than that, though, a fine flick and well worth seeing.Īnd this was even better than the first - excellent mix of horror and comedy. Wow, that really doesn't adhere very closely to the novel at all, does it? I also noted that, in the credits, Mary Shelley is listed as "Mrs.